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Nikolić 2021: „Tek u Parizu zaplakali su prvi put”: slika Pariza u Romanu o Londonu Miloša Crnjanskog, Lipar 73, Kragujevac: Filološko-umetnički fakultet i Univerzitet u Kragujevcu, 186-207.Moretti 2005: Franco Moretti, Graphs, Maps, Trees: Abstract Models for Literary History, London and New York: Verso (imprint of New Left Books).

Moretti 1999: Franco Moretti, Atlas of the European Novel, London and New York: Verso (imprint of New Left Books).

Miodrag Maticki, Beograd: Institut za književnost i umetnost, 215-228.

Lojanica 2011: Marija Lojanica, Antropološka trilogija Borislava Pekića i metafizička detektivska proza, u, Književna istorija, br.

Bošković 2020: Dragan Bošković: Geokulturno i naratourbološko središte moderne srpske književnosti, u, Naselja u djelima srpskih pisaca, urednik Miloš Kovačević, Pale: Filozofski fakultet Univerziteta u Istočnom Sarajevu, 17-44.

Bošković & Ilić 1998: Dragan Bošković & Saša Ilić, Odisej: kataloška priča, Novi Sad: Matica srpska.

Barthes 1988: Roland Barthes, Semiology and Urbanism, in The Semiotic Challenge, translated by Richard Howard, Oxford: Basil Blackwell.

Narratourbology, map, urban, rural, textual, detective fiction, Belgrade ЛИТЕРАТУРА: Works cited The excluded urban is argued to have been relegated to the role of quasi-retarding devices (foreshadowed or hind sighted) images and counterpoints of the fiction’s ‘grand arrest’ – the fatal (and final) stop containing both the crime and its solving, outside of the urban. The scarce, short urban stopovers are exposed as representations not of the urban, but of leaving the urban. The plotted line of movement of Christie’s fiction, though connecting urban entities, takes centre stage, drawing away from its subservient construing points. Mapping and accordingly analysing Christie’s popular detective’s short stopover at Belgrade and its context, however, allows an opportunity for reading it as gesturing away from the urban. Detective fiction, at the same time, appears a genre inherently urban, from the early modern, to the contemporary instances (from the prototypical Dupin to Auster’s Quinn). Narratourbological mapping foregoes the idea of the literary as nostalgically turned towards the natural and away from the industrial in favour of the idea of the literary as historically moving toward the urban, and participating in its construal.

Srpska trilogija pdf